2024 (+ the last of 2023) new on YouTube:
2023:
- Highlights 'Die Entführung aus dem Serail' by W.A. Mozart
Berger, Otto, Schock, Unger, Frick /
Cond: Wilhelm Schüchter, Hans Schmidt-Isserstedt, Josef Krips
(1949, 1953, 1956)
- 'The Land of Smiles', tragic romantic OPERA (!) by Franz Lehár
Rudolf Schock/Dorothea Siebert/Cond: W. SCHMIDT-BOELCKE u.a.
(1955, 1957, 1967)
- 'Die tote Stadt' by E.W. Korngold: Duet 1. act, Final song 3. act
Rudolf Schock/Melitta Muszely
Cond: Berislav Klobucar (1959)/Horst Stein (1963 live!)
- 'L'Africaine' (G. Meyerbeer): 'Pays merveilleux/Land so wunderbar'
Rudolf Schock: French version & (cond. by Leopold Ludwig)
German version
- 'Samson et Dalila' (C. Saint-Saëns): 'Mon cœur s'ouvre à ta voix'
Hertha Töpper/Rudolf Schock: German version
- 'Jocelyn' (B. Godard): 'La Berceuse' (LIVE recording)
Rudolf Schock: German version / cond: Hermann Hildebrandt
- 'Werther' (J. Massenet) & 'Faust' (C. Gounod)
R. Schock: German Versions/cond's: H. Hollreiser & G. König
- 'Manon' (J. Massenet): french version: 'En fermant les yeux'/
german version: 'O schöne Zeit - Ich schloss die Augen'
Cond.: W. Süsskind & H. Löwlein
- 'Ein Walzertraum' (Oscar Straus)
Two fine excerpts with Rudolf Schock & Lisa Otto
Cond.: W. Schüchter
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 1 :
From the PROLOGUE, Conductor: EUGEN SZENKÁR
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 2 :
From the FIRST ACT, Conductor: EUGEN SZENKÁR
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 3 :
From the SECOND ACT the beginning,
Cond: EUGEN SZENKÁR
2024:
- 'Künneke in Concert'
with Eduard Künneke as director (1938), Rudolf Schock+Renate Holm
fragments from operettas & 'Intermezzo' from 'Tänzerische Suite'
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 4 :
CONTINUATION of the SECOND ACT, Cond: EUGEN SZENKÁR
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 5 :
From the SECOND ACT the grand finale,
Cond: EUGEN SZENKÁR
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 6 :
THIRD (ANTONIA) ACT the first half,
Cond: EUGEN SZENKÁR
- 'Les Contes d'Hoffmann' (Jacques Offenbach) 6 :
THIRD (ANTONIA) ACT: FINAL + EPILOGUE
Cond: EUGEN SZENKÁR
- With RUDOLF SCHOCK into "DIE SCHÖNE(RE) WELT/THE (MORE)
BEAUTIFUL WORLD" of FRANZ LEHÁR:
Highlights from 'Schön ist die Welt' + Renate Holm & Sylvia Geszty
- Schumann & Schubert, 3 ballads
Rudolf Schock & Ivan Eröd
- J. Strauss jr, DIE FLEDERMAUS
Rudolf Schock, Wilma Lipp, Ferry Gruber,
Anneliese Rothenberger, Sari Barabás
cond: Robert STOLZ & Wilhelm SCHÜCHTER
- G. Puccini, La Bohème
Rudolf Schock & Erna Berger, cond: Wilhelm Schüchter
Three compelling scenes from the 1st act:
(t o b e c o n t i n u e d )
Tips:
- For a complete YouTube performance of Joseph Haydn's 'Nelsonmesse' under Sternberg, with Stich-Randall, Paulee, Schock, Frick:
LINK: Rudolf Schock in Nelson mass by J. Haydn 1953
- RUDOLF SCHOCK sings selected CLASSICAL SONGS by Brahms, Mozart, Schubert, Schumann, Strauss & Wolf. With Dr. Adolf Stauch: piano.
(Two CDs with songtexts & photos on'RELIEF' CR 3010)
- RUDOLF SCHOCK sings selected CLASSICAL SONGS by Brahms, Mozart, Schubert, Schumann, Strauss & Wolf. With Dr. Adolf Stauch: piano.
(Two CDs with songtexts & photos on'RELIEF' CR 3010)
AT LAST, AFTER MANY YEARS:
CD release of Schock's 'LIEDER' recordings between 1957 and 1959!
CD release of Schock's 'LIEDER' recordings between 1957 and 1959!
REVIEWS!!!
John H. Müller, October 14, 2018, (www.onlinemerker.com):
***************************************************
John H. Müller, October 14, 2018, (www.onlinemerker.com):
... Rudolf Schock had its own style,
sang straight from the heart. And that is exactly what
characterizes these song recordings, which come from Schock’s best singing
years. What immediately
catches the first listen of the two CDs is the absolutely natural approach to
the art form of the song. Schock sings these jewels of the German songs without
ever being grandiloquent. It is important to admire the exact intonation, the
legato, its amazingly long breath and its natural musicality. And above all,
his word clarity should be praised! Particularly noteworthy is Adolf Stauch, the excellent companion on the piano. In addition to
his pianistic virtuosity, he never pushes himself into the foreground and is
the singer a peer duo partner ...
Rüdiger Winter, October, 2018,
(www.operalounge.de):
... It is obvious to him that Rudolf Schock always interprets events, sensations or impressions
in terms of content. His listeners should understand what is happening, what
the composers and their poets want to communicate. He senses this with his sure
stage instinct and passes it on. That made him so unique, that was his success
even with those people who did not dare to perform in a Wagner performance.
Anyone who listens attentively through the album will
notice that every word is understandable - even "Das
Grillchen (the grill)", which "ergötzt
(delights)" on "Anakreon's Grave" by Hugo
Wolf, is not to be missed ... .. Schock’s song singing is also language
care....
Rudolf Schock
on sound carrier
Blog
article 'RUDOLF SCHOCK op/auf CD' changed since her first version in 2007 significantly.
In that time CD publications stood central, which you bought live in the store or increasingly ordered from a mail order company. Now Rudolf Schock’s voice is also coming to us inside and outside our comfort zone via pc, tablet or smart phone. We download, subscribe to ‘streaming audio/video services’ and are viewing/listening/sharing on YouTube almost everything, in which Rudolf Schock artistically or privately was involved.
In that time CD publications stood central, which you bought live in the store or increasingly ordered from a mail order company. Now Rudolf Schock’s voice is also coming to us inside and outside our comfort zone via pc, tablet or smart phone. We download, subscribe to ‘streaming audio/video services’ and are viewing/listening/sharing on YouTube almost everything, in which Rudolf Schock artistically or privately was involved.
In 1947 Schock made his first
recordings on shellac disc. He sounded from the
beginning of the fifties on LP (25 and 30 cm) and in the
season 1957/58 on stereo LP.
Music
cassettes with Schock
came and disappeared, LPs
'in surround sound ( quadrafonie)'
ditto, but in
1980 a Rudolf Schock-LP with digital recorded songs
of Carl Loewe
was a harbinger of what from 2000 would be called "the digital age".The digital Compact Disc (Rudolf Schock must have known the new disc!) pushed the analog LP away into the background
and was at the beginning of the 21st century the ultimate sound carrier!
Link to the current and complete overview of Rudolf Schock's recordings: www.rudolfschock.nl (under: 'Inventar Tonaufnahmen') !
Krijn de Lege, 16.04.2024
3 Kommentare:
You actually make it seem so easy with your presentation but
I find this topic to be really something which I think I would never understand.
It seems too complex and extremely broad for me. I am looking forward for your
next post, I'll try to get the hang of it!
Appreciate the recommendation. Will try it out.
Why viewers still make use of to read news papers when in this technological globe the whole thing is accessible on web?
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